Wednesday, December 31, 2008
"Sorry, Dudes, My Bad,"
Tuesday, December 23, 2008
The Lamb Of God Wrath Map
Just Like The Good Ole' Days
This song could be "My Friends Over You part 2" for a number of reasons, but mainly because its totally awesome. I was right in my hope that this album would be more like the music that got me to love music like I do. I can already imagine blasting this cd with my windows down on the first warm spring day.
Presenting: Lamb of God - Contractor
Unlike the live concert video that has given us our previous peeks at the new Lamb of God, finally we have a near studio quality rip of a new track off of one the most anticipated albums of 2009. Be amazed by "Contractor".
Watch more YouTube videos on AOL Video
This whole album is gonna be a shark attack. (Oh, and there's album art too).
Monday, December 22, 2008
New Taking Back Sunday
Saturday, December 20, 2008
Punk Goes Pop 2 Tracklisting
Attack Attack- "I Kissed a Girl" by Katy Perry
August Burns Red- "...Baby One More Time" by Britney Spears
Bayside- "Beautiful Girls" by Sean Kingston
Breathe Carolina- "See You Again" by Miley Cyrus
The Cab- "Disturbia" by Rihanna
A Day To Remember- "Over My Head (Cable Car)" by The Fray
Escape The Fate- "Smooth" by Rob Thomas
Four Year Strong- "Love Song" by Sara Bareilles
Mayday Parade- "When I Grow Up" by Pussycat Dolls
Silverstein- "Apologize" by One Republic
A Static Lullaby- "Toxic" by Britney Spears
There For Tomorrow- "Ice Box" by Omarion
Friday, December 19, 2008
More Best of 2008: Pitchfork
Thursday, December 18, 2008
More Best of 2008
Instant Inspiration: Criteria
It's a shame that this band has fallen into relative obscurity. If you like this song, you'll definately like the rest of their album. Pick it up at you local record store or get it on Amazon.
Wednesday, December 17, 2008
More New Lamb of God Videos
This shit sounds sick. I can't think of any more ways to express how stoked I am for this album than I already have.
Pitchfork Best Songs of 2008
Senses Fail Tour Update
Tuesday, December 16, 2008
Between the Buried and Me Writing New Material
Decibel Best of 2008
Last.fm Best Of
Best Inventions
Horrible Tour
Monday, December 15, 2008
More Best of Lists
More Mastodon Album Details
Although MASTODON's new album, "Crack The Skye", is a conceptual piece in the same vein as the band's previous releases, it is not about air but "ether." "The whole story has little to do with what the album emotionally is really about," clarifies Dailor. "But everything in the lyrics and the story is metaphors. We wanted to stick with elements and we wanted to do the 'ether' record. Ether is what the soul is made out of and it took a few months to connect all the dots."
Dailor goes on to explain the "Crack The Skye" concept: "There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul insideRasputin's body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin's body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it's too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way."
The title track, "Crack The Skye", features vocals by Scott Kelly ofNEUROSIS. "We heard Scott's voice all over that track," Dailor says. "It's really NEUROSIS-sounding and then when it became the title track, in particular vocally and lyrically it had a lot to do with Skye so it made it even more perfect that Scott would be doing the verses on it just because he is very familiar with that tremendous loss, suicide, stuff like that…"
The album, due out for release in March 2009, is a dark conglomeration of musical as well as conceptual layers. "'Crack The Skye' means a number of different things," Dailor offers. "You'd probably get a different answer from the other members of the band as to what the meaning of it is and I can also come up with three different ones. The main one for me would be (that) Skye was my sister’s name and she died when I was 15. She was 14, she killed herself and it changed my life. When we started working on the material, I knew that Brent [MASTODON singer/guitarist Brent Hinds] was coming from a deeper place musically. He was shaken up from his accident in Las Vegas, was traumatized by that and I think that has a lot to do with the sound of the record. He is pretty emotive with the guitar and from that depression he was in came a lot of that material — kind of slow and spaced out, real psychedelic. I could see that there was something a lot deeper going on so it was the perfect opportunity lyrically to dig a little deeper myself into some demons in the past and I'd never really gone there before; you know, it's a touchy subject. But I felt that with the songs being the way they were that it was the perfect opportunity to get rid of some stuff myself… the 'Crack in the Skye' is the moment you realize that that person is gone."
Exclusive excerpts from the interview were originally aired on the November 26, 2008 edition of "Tinitus". The show is now available on podcast at this location.
Clipse Push Pitchfork's Shit In
Hiphop from its genesis was a meritocracy—a bunch of dudes lined up in a sweatbox trying to outshine the next man. Their aim wasn’t MTV rotation or club spins; it was renown around their hoods. While the technology has improved and the production has gotten more sophisticated, we still approach our music with that same purity. We rap about things we’ve done and seen, and we aim to tell the story in a unique and intriguing way. Our critical success and uncommonly loyal fanbase stand as evidence. We don’t count any perceived lack of club visibility as a shortcoming. In fact, it’s a source of pride, that we’ve managed to endure over a decade without pandering, without compromising, without deviating from our signature sound.
It’s very hard to swallow a review wherein the author slams the album for a full paragraph, but then backs off, saying ‘I’m mostly just quibbling here.’ Well, if you’re admitting the criticism is unimportant and misaimed, what then is the intent? The Clipse have smashed the mixtape circuit for years with the untouchable We Got it 4 Cheap series. That’s indisputable. And the Clipse are gonna come with it like nobody’s ever heard with our ’09 official studio release, Till the Casket Drops. As a major label release, it’ll have the energy and polish to merit full-bore scrutiny. We invite Tom Breihan and anyone else to focus that critical gaze on it; we’re certain it’ll shine. And by the way, that snide remark about Play Cloths; unless everyone who’s seen, bought, and fawned over the line is lying to us, we seem to have a fashion staple in the works. We’ll take that kind of unilateral reception any day, with (dis)respect to Breihan’s flawed fashion sense. Stick to music, Tom. Well, maybe not our music.
Sunday, December 14, 2008
Every Time I Die Sign To Epitaph, Epitaph Headquarters Developes Own Gravitational Pull
Friday, December 12, 2008
A Day To Remember, Devil Wears Prada Tour
Bad News For Postal Service Fans
Throwdown Announce "Deathless" As Album Title, Switch Drummers and Record Labels
"Signing with KOCH Records is a breath of fresh air for us," said Throwdown frontman Dave Peters. "KOCH looks at their artists in a progressive way and can see that what we've given a decade of our lives to build is still far from completion. It's no mystery that the music industry is caught in upheaval right now. We're confident in the mutual autonomy of KOCH and Throwdown to come together and not only weather the storm, but thrive in it."
"I am thrilled to add Throwdown to the growing KOCH Metal roster and am looking forward to putting out what is surely one of the most anticipated releases of 2009," says KOCH Records VP of Metal Scott Givens. "The band is poised to claim a major stake in the American metal scene and we are thrilled that they have chosen KOCH to be their partners."
The largest independent record label in the United States, KOCH is home to recent releases from Throwdown's friends and touring mates In Flames and Hatebreed, and has recently signed both Satyricon and High On Fire.
"We look forward to the continued development of our relationship with KOCH and the opportunity to be included with the wealth of talent on their roster," added Throwdown bass player Mark Mitchell.
Throwdown recently completed touring behind their last album, Venom & Tears, which was produced by the band with Mudrock (Avenged Sevenfold, Chimaira). The past two years saw them on the road with Korn (Australia), Killswitch Engage (Canada), Cavalera Conspiracy (U.S.), Machine Head/Arch Enemy (U.S.), headlining the Ernie Ball stage on the Vans Warped Tour, hitting major European festivals like Download UK, and headlining a U.S. tour of their own.
Revolver called Throwdown's last album the band's "most metallic," combining "the hateful groove of Sepultura and Pantera." Outburn elaborated further: "This is a much more expansive, daring record, featuring longer songs and a greater diversity of influences while retaining that core pummeling heaviness the band has built its rep upon."
The band is in the writing stages now for Deathless, which promises to be even more dynamic and pulverizing than the last one. Deathless will be the band's fourth album with Peters as frontman and primary songwriter, its second with Choiniere (who joined the band in 2005) and first with Mitchell. Drummer Jarrod Alexander (ex-Death By Stereo), who performed on the band's breakthrough Haymaker album in 2003, will return to work on Deathless.
"Mark Choiniere and I have been writing material on our own time for months now," Peters explained. "We have a great head start on the writing process. It's always hard to say how the songs will ultimately evolve. You think it's going one way and the slightest idea or change turns it into a whole other animal. The mix of riffs and loose song skeletons we have right now is a lot more eclectic at this phase than it was for any of our other records."
Throwdown has spent the last several years touring relentlessly. Ozzfest (2004), Sounds Of The Underground (2005), Vans Warped Tour (2006 & 2007), Black Dahlia Murder (co-headline), and several other headlining and support tours across the globe including packages with Lamb Of God, Fear Factory, As I Lay Dying and more.
In the coming weeks, the band will announce who will be producing and mixing Deathless."
Throwdown has always and will always be a band for our fans before anyone else.
So it is with great regret that we find ourselves in a situation where we are left with no alternative but to air out years of dirty laundry with Josh Grabelle of Trustkill Records for our fans to read and become as disappointed by as we are.
Several months ago we were forced to send Trustkill Records a “breach of contract” notice (despite the legal fees involved for us with such action) and our “breach of contract” was not cured within the 30 days legally allotted. Trustkill has been in this current breach with Throwdown (it’s not the first time) since March 31, 2008. By his own accounting, Josh currently owes the band tens of thousands of dollars in unpaid royalties for CDs sold. We have not once in the history of our relationship with the label received a royalty payment on time. And now that our three album contract with him is fulfilled, we are not hopeful that will change.
It should be said that our relationship with Josh Grabelle started very positively. We were friends before entering into a business relationship and there was a sense of camaraderie between us and several of the bands on the Trustkill roster. As years passed, however, we saw that not only was Josh driving the label in a direction that none of us could respect, he was developing habits that diminished any trust we once had in him and often left us in a variety of compromising situations.
For example, we were forced to cancel dates on the Vans Warped Tour in 2006 when the necessary and agreed upon tour support to put gas in our van wasn’t delivered on time as promised. Trustkill’s failure to make payments on time during the making of our newest album, Venom & Tears, left us wondering how we would pay our rent and bills. Our producer nearly stopped the recording process after Josh and Rob Dippold at Trustkill repeatedly promised to pay him and repeatedly failed to deliver on time.
Please know that we are not “rock stars” looking to be pampered. In order to do Ozzfest in 2004, we took out a loan from one of our family members and gave up mechanical royalties for six months in exchange for the opportunity — the rest of the money Trustkill has been able to recoup from our artist royalties. It was a wise investment. Ozzfest was great for us, and one we made on our own as you can see. We just want what is owed and what is fair and when it is due according to the terms of our contract.
These stories are the very tip of the iceberg and emblematic of our experience with Trustkill. Josh Grabelle consistently attempted to patronize and dismiss our concerns by calling us the band that ‘was
never happy with anything [I] do’, a tactic we quickly realized was used with several other bands as well. Bands do talk when they see each other and it is a shame that the same camaraderie we felt with a variety of bands from all over the country on his label is now present for very different and undesirable reasons.
We know that our band is not alone. Whether more bands with records on Trustkill choose to make public statements as Hopesfall, Bleeding Through and now our band has done is of course their prerogative.
In spite of our hard and often ill-funded work on the road, in the rehearsal space and in the studio, we were told by Josh that we needed to be willing to sacrifice now and then. There is not a single word
that better represents what we have been forced to do under the Trustkill umbrella these past few years — sacrifice.
We truly feel that if Josh Grabelle would see the bands on Trustkill as actual groups of people with the same needs as him or anyone else versus a simple account or bill to be pushed to the side of the desk in his beautiful suburban home, then we would not be here today writing this unsightly account and maybe even have remained friends with him.
For the sake of new bands signing with Trustkill records, we sincerely hope that Josh can adopt such a perspective and begin to rebuild his label. And we hope that by making this situation public, Josh will be
motivated to get his business in order and set things right with Throwdown and everyone else who has been burned by the increasingly difficult situation.
With love and respect to all of those who support us and touring musicians around the world,
Throwdown
I'm glad Throwdown has moved on, but it sucks that some really good bands have gotten caught in the tank treads because of Josh Grabelle's irresponsibility. A band like BEDlight For BLUEeyes, that put out two great records but got virtually no support from Trustkill as a label has now broken up. Who knows where bands like them or Love Is Red would be had they had more label support. Ohh well.
News Coming tommorow
Thursday, December 11, 2008
Craig Owens Solo Tour
New Thursday Single
Best of 2008 lists
1 | TV on the Radio: Dear Science
2 | Bob Dylan: Tell Tale Signs — The Bootleg
Series Vol. 8
4 | My Morning Jacket: Evil Urges
5 | John Mellencamp: Life, Death, Love
and Freedom
7 | Coldplay: Viva la Vida or
Death and All His Friends
10 | Vampire Weekend: Vampire Weekend
12 | Guns n' Roses: Chinese Democracy
14 | Ryan Adams and the Cardinals: Cardinology
15 | The Black Keys: Attack & Release
16 | Randy Newman: Harps and Angels
17 | B.B. King: One Kind Favor
18 | Lucinda Williams: Little Honey
19 | Erykah Badu: New Amerykah: Part 1
(4th World War)
20 | Kings of Leon: Only by the Night
21 | Kaiser Chiefs: Off With Their Heads
22 | Jackson Browne: Time the Conquerer
23 | Conor Oberst: Conor Oberst
24 | Girl Talk: Feed the Animals
25 | The Magnetic Fields: Distortion
26 | Mudcrutch: Mudcrutch
27 | Brian Wilson: That Lucky Old Sun
28 | The Knux: Remind Me in Three Days...
29 | Bon Iver: For Emma, Forever Ago
30 | Duffy: Rockferry
31 | MGMT: Oracular Spectacular
32 | Jamey Johnson: The Lonesome Song
33 | Ne-Yo: Year of the Gentleman
34 | Stephen Malkmus: Real Emotional Trash
35 | Nick Cave and the Bad Seeds: Dig,
Lazarus, Dig!!!
36 | The Hold Steady: Stay Positive
37 | Nine Inch Nails: The Slip
38 | Ra Ra Riot: The Rhumb Line
40 | Jonas Brothers: A Little Bit Longer
41 | AC/DC: Black Ice
42 | David Byrne and Brian Eno: Everything
That Happens Will Happen Today
43 | Nas: Untitled
44 | The Raconteurs: Consolers of the Lonely
45 | Be Your Own Pet: Get Awkward
46 | The Academy Is...: Fast Times at
Barrington High
47 | Of Montreal: Skeletal Lamping
48 | Raphael Saadiq: The Way I See It
49 | Hot Chip: Made in the Dark
What do you think? Any that they missed? Love it? Hate it? I think Rolling Stone had some good ones, but generally sucked it up pretty hard.
Wednesday, December 10, 2008
Tuesday, December 9, 2008
August Burns Red Carol of the Bells
Monday, December 8, 2008
Dillinger Escape Plan Genius
Another Lamb of God Video
New He Is Legend
If you've never been a He Is Legend fan, don't be put off by the video. Simply go listen to I Am Hollywood and Suck Out The Poison and then wait for the new album like the rest of us.
Darkest Hour Interview
New Fall Out Boy
Saturday, December 6, 2008
About To Explode
Wednesday, December 3, 2008
NEW LAMB OF GOD
From the sound of things, I think we're definately in for something mounstrous in February. Expect better quality rips and maybe a new song or two in the next couple of days.
500
Himsa Break Up
Tuesday, December 2, 2008
Ace Enders Bittersweetness
Coldplay Sucks
Monday, December 1, 2008
Every Time I Die Keep A Breast Van Slips
Saturday, November 29, 2008
5 Things Rappers Should Stop Doing
New Clipse!
Unearth Interview
Tuesday, November 25, 2008
Ace Enders Bittersweet Symphony Cover
Saturday, November 22, 2008
More Japanese Dates
Japan Tour w/ Lamb of God, In Flames:
March 4 - Tokyo, Japan @ Akasaka Blitz
March 5 - Tokyo, Japan @ Akasaka Blitz
March 6 - Osaka, Japan @ IMP Hall
Don't say you weren't warned
Thursday, November 20, 2008
Best Song Ever?
It all comes down to us,
Ten and ten
I'll double block it, bounce it off
(Show you up) We're gonna show you up,
We're gonna drink your beers,
We're gonna take your girls,
We're gonna make you cry
Aye, yo, lemme get a re-rack
Cause your shits wack
Bounce shot, 2 cups,
Bring that shit back
10 cups of glory 1 cup of sink,
Put that ball up, make that bitch drink x2
fucking drink,
tonight we'll get drunk
*talking*
We are the victorious
1, 2, 3 yeah!
We can ?
Give us ?
Next!
God Forbid Album Teaser
New Thursday Album Title
Keith Buckleys Birthday
New Found Glory Album Title and Release Date
Wednesday, November 19, 2008
If You Live In Japan...
01/29 Nagoya @ Zion
01/30 Fukushima Koriyama @ Freeway Jam
01/31 Kanagawa Kawasaki @ Club Citta
02/01 Tokyo Shinjuku @ ACB Hall
How In The Hell Did I Miss This?!?
Kanye West, Pharrell, Lupe Fiasco, and Thom Yorke: four of the most selling, most talented and most influential artists of this decade together in one song. Seriously? What do you guys think?
Monday, November 17, 2008
Back Like Syphillis
But if you expected this little seasonal speed bump to be the end, you are grossly mistaken. If I were any lesser of a man, you would all be sentenced to the boo box (17 points for anyone who gets the reference). But we've reached over 100 posts, will have 450 hits most likely by the end of the week, and I generally am feeling pretty damn good about where this whole thing is going.
So again, Tell All Your Friends about the blog, email me if there's stuff you want me to talk about (reviews, reviews, I know) or bands you want me to talk about, and lets see if we cant ring out 2008 with a bang.
Best,
Watson
Wednesday, November 12, 2008
"The winter's so cold, the summer's over too soon."
Faithfully, Remorsefully, Passionately,
Watson
Monday, November 10, 2008
Say Anything Self Titled Album Announcement
say anything WILL be putting out a new album next year. we'll be recording it in l.a this winter and the record will be called "Say Anything." yes, self titled. the nature of the record has changed since we intended on calling it "this is forever", also these two dj guys put out a record called that and would probably sue us.(EDIT: He's talking about these guys.)
if any person has followed our band, they understand our albums tell the story of a simple dude (me) and his evolution in life. this is the part where, having gone through his "idealistic--yet-furious-virgin" phase (baseball), young "drunk-angry-pukey-sex" phase (is a real boy), his "reaping - the - benefits - of - years - of - self - abuse - by - being - stuck - in - a - terrible -relationship" phase (in defense of the genre), he is finally confronted with the question of what the point of all of it was. what is the moral of the story? why be in a band? why try to "get" the girl? you spend years bitching or hurting yourself and others until you realize there is really something to fight for and something to fight against and being a man means drawing the line. that, my friends, is where the real adventure begins.
this album is self titled for a reason; it will take all the musical and lyrical themes of every say anything song, and attempt to resolve them and infuse them with something pure and direct. i am not going to " brandon flowers it" and say this is going to be the record that saves rock n' roll, or makes pitchfork.com finally admit we had it all along. those things are not only pre-packaged indie rock nay nay but are also pointless and fleeting. i don't know how far our album will get us commercially or even if all of you amazing ap.net friends will show up the day it comes out, say it blows, and change your " fatty max bemis with a cigarette" icon to a "hot picture of first-button-undone anthony green" icon. however, if my opinion matters to you, i promise that i love these songs to death. I REALLY hope you do too and that's all i can pray for. For those who thought in defense, while cool, was too long and serious; i see this next outing as more darkly humorous and concise. for those of you who dug is a real boy but appreciate our later maturity, such as the addition of real singing to the drunken sailor routine; this record looks like it will be even more of a step forward, without giving away too much.
We are so thankful for your love. I am constantly humbled before your appreciation and I never thought we'd get this far, so we NEED to pay you back with a cool album or we'll be doing carnival-cruise-line-emo-nostaglia tours with jefree starr by the time you guys are forty. We will work it to the bone to not let you down. Recording begins ths winter in Los Angeles, California.
Thank you.
Max
Though I'm a fan of the Killers first album, I can say with comfort that their two albums since haven't done dick to "save" rock and roll. I also appreciate the shot at pitchfork, who seem to be so busy catering to shitty indie bands that they really miss out many good bands.
So after churning out roughly 120 songs in the song shop Say Anything and Capt. Bemis rest easy until they begin recording this winter. Rock on Bemis, rock on.
Finale
More Songs Like "Black Sails" and "Art of Drowning" plz
Hello dear, it's time. We've officially finished writing the 8th AFI album, and now we enter the studio to put it on tape. We have a fabulous producer we'll be working with, David Bottrill, who has worked on some fantastic and legendary albums by Peter Gabriel, Muse, Silverchair, Placebo, and Tool. We've spent this whole year crafting these songs and we're impatient to share them, so let's get busy. Love, Davey, Adam, Hunter, and Me
Given the news about the producer, it is unlikely that the band will have a return to the glory days of Black Sails in the Sunset and Art of Drowning. I have pretty non commital feelings about DECEMBERUNDERGROUND, but like Sing The Sorrow. Who knows what to expect. I suppose we shal know around early to mid-summer.
News Flash: Rolling Stone Makes Noteworthy Music Contribution
Sunday, November 9, 2008
Mark Morton on "Wrath"
Thursday, November 6, 2008
Chi Cheng Update
DEFTONES singer Chino Moreno has issued an update on the band's bassist, Chi Cheng, who was seriously injured in a car accident in Santa Clara, California, on Monday (November 3). According to HardDrive Radio, Cheng and his sister were apparently on their way back from a memorial service for their older brother when the accident occurred. Cheng's sister was driving their vehicle, but it remains unknown at this time what caused the crash.
Cheng was reportedly in a coma in an Intensive Care Unit at a local hospital, with his condition listed as "serious but stable."
Moreno posted a message at the band's studio blog in which he wrote, "I am back from up north visiting our brother Cheng. His condition remains the same — serious but stable.
"We, along with the entire Cheng family, would like to extend our gratitude to everyone that's said a prayer or sent out their positive thoughts to Chi. Your support means more than you know.
"During his recovery process, Chi's mother has asked that each day we spread a little bit of good in his name. So each day DEFTONES will be posting what you can do to help Chi recover. Today she has asked that you all remember to buckle your seat belts and remind those you love to buckle up. By doing something so little in his name, you will be helping him find the strength to recover."
New Emery Album Title
The While Broken Hearts Prevail EP has a man drowning on the cover. Nautical theme?
New Taking Back Sunday Album Title
This Will Be Legendary
November 6, 2008 – TWO TONGUES, the new band featuring Max Bemis and Coby Linder of Say Anything along with Chris Conley and David Soloway of Saves The Day, announce a February 3, 2009 release for their self-titled debut. The thirteen-track self-produced disc was recorded late last year at Electric Ladybug studios in Northern California.
Max Bemis comments on the genesis of the project:
“Chris has been my favorite songwriter since I was 15. Ten years later he is now is one of my closest friends. The Two Tongues record is really an expression of the yin and yang; how two "opposite" souls stimulate and battle each other in any truly loving relationship. Chris inspired me as a mentor, hero and friend, and I inspired him as someone who truly cherishes his work that he can respect in his own right. Chris sometimes looks down on himself but is inside a very strong, almost Buddha-like centered soul; I have that whole Steven Tyler/Jerry Lewis extrovert personality onstage but I'm a totally neurotic, restless soul inside. We as two people, therefore, express two sides of a coin. Making the record, and it being the first band either of us has ever been in outside of Say Anything or Saves the Day, was sort of like falling in love for the second time; you have to look outside of yourself and learn to communicate with and trust someone who operates in a totally different manner. Ironically, while making this record I met the girl I am now in love with, so I was experiencing the same thing in the form of friendship with Chris as I was in getting to know this female person. So whether you want to look at the record as songs about two people starting a romantic relationship or this dynamic of how inspiration operates between two people, that's your choice. We hope it functions on both levels. Either way, it's a dream come true for me, and a true labor of love.”
Chris Conley says of the collaboration:
“Working with Max was a dream come true for me. I have never met another musician as inspiring and talented. During a dark period in my life, Max's music lifted my heart, and for that I am forever in his debt. When he approached me about doing this side project together, my immediate thought was, "I would do it with no one else." So my heart was in it from the moment of inception. The process of songwriting and recording was exciting and fluid. As it turns out, we work together quite well! I look forward to our next project together so our learning and growing can continue.”
The band put up their first demo this summer on their myspace page. I've been wanting more info about this for a while, and with this announcement become even more excited for February '09.
More Mastodon Album Details
Brann Dailor: "No one wants to go head to head with BONEY M…"
Troy Sanders: "Exactly!"
The Quietus: Is there a theme or a concept?
Brann Dailor: "Yeah, there's a story which goes from start to end. And there is Tsarist Russia in there and that was picked because ever since the first record we've wanted to do something about this period and their art aesthetics, with the black lacquer boxes and that look was something we were going for. From there, you take elements of that, and it's multi-dimensional and it goes into outer space and it's about the ether and deals with astral travel, out-of-body experiences and deals with Stephen Hawking's theories on wormholes. But I think one of the cool things about our band is that we will leave it ambiguously for the listener to dive into the lyrics themselves and maybe come to their own conclusions and form a little movie that plays in their heads."
The Quietus: This is what's great about heavy metal — you would never get an OASIS or ARCTIC MONKEYS album about something like this. Just an album about having a top laugh with your mates.
Brann Dailor: "It's fun for us to research all that stuff and get it all in there and make it as nuts and as far out as we can. I feel like we've worked hard on the lyrics, that they're more meaningful and they're going to be able to get more out of them this time. I mean, it's all metaphors for stuff that goes on in your everyday life, like being away from home and missing your lady or whatever, but it's not so literal. You tell it through a totally different mindset. So it becomes that we're not going on tour but we're going into outer space. But that's how you feel sometimes. You're on tour and you can't get Internet and your mobile doesn't work and you haven't talked to your wife for a week and you feel lost… That's what it's like sometimes."
The Quietus: A good metaphor is a good metaphor and should be celebrated. I for one don't want to hear about how much it sucks being a rock star or how it's not that good being on tour.
Both: "Exactly."
Brann Dailor: "There are ways you can explain those feelings differently through lyrics."