Wednesday, December 31, 2008
"Sorry, Dudes, My Bad,"
Tuesday, December 23, 2008
The Lamb Of God Wrath Map
Just Like The Good Ole' Days
This song could be "My Friends Over You part 2" for a number of reasons, but mainly because its totally awesome. I was right in my hope that this album would be more like the music that got me to love music like I do. I can already imagine blasting this cd with my windows down on the first warm spring day.
Presenting: Lamb of God - Contractor
Unlike the live concert video that has given us our previous peeks at the new Lamb of God, finally we have a near studio quality rip of a new track off of one the most anticipated albums of 2009. Be amazed by "Contractor".
Watch more YouTube videos on AOL Video
This whole album is gonna be a shark attack. (Oh, and there's album art too).
Monday, December 22, 2008
New Taking Back Sunday
Saturday, December 20, 2008
Punk Goes Pop 2 Tracklisting
Attack Attack- "I Kissed a Girl" by Katy Perry
August Burns Red- "...Baby One More Time" by Britney Spears
Bayside- "Beautiful Girls" by Sean Kingston
Breathe Carolina- "See You Again" by Miley Cyrus
The Cab- "Disturbia" by Rihanna
A Day To Remember- "Over My Head (Cable Car)" by The Fray
Escape The Fate- "Smooth" by Rob Thomas
Four Year Strong- "Love Song" by Sara Bareilles
Mayday Parade- "When I Grow Up" by Pussycat Dolls
Silverstein- "Apologize" by One Republic
A Static Lullaby- "Toxic" by Britney Spears
There For Tomorrow- "Ice Box" by Omarion
Friday, December 19, 2008
More Best of 2008: Pitchfork
Thursday, December 18, 2008
More Best of 2008
Instant Inspiration: Criteria
It's a shame that this band has fallen into relative obscurity. If you like this song, you'll definately like the rest of their album. Pick it up at you local record store or get it on Amazon.
Wednesday, December 17, 2008
More New Lamb of God Videos
This shit sounds sick. I can't think of any more ways to express how stoked I am for this album than I already have.
Pitchfork Best Songs of 2008
Senses Fail Tour Update
Tuesday, December 16, 2008
Between the Buried and Me Writing New Material
Decibel Best of 2008
Last.fm Best Of
Best Inventions
Horrible Tour
Monday, December 15, 2008
More Best of Lists
More Mastodon Album Details
Although MASTODON's new album, "Crack The Skye", is a conceptual piece in the same vein as the band's previous releases, it is not about air but "ether." "The whole story has little to do with what the album emotionally is really about," clarifies Dailor. "But everything in the lyrics and the story is metaphors. We wanted to stick with elements and we wanted to do the 'ether' record. Ether is what the soul is made out of and it took a few months to connect all the dots."
Dailor goes on to explain the "Crack The Skye" concept: "There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul insideRasputin's body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin's body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it's too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way."
The title track, "Crack The Skye", features vocals by Scott Kelly ofNEUROSIS. "We heard Scott's voice all over that track," Dailor says. "It's really NEUROSIS-sounding and then when it became the title track, in particular vocally and lyrically it had a lot to do with Skye so it made it even more perfect that Scott would be doing the verses on it just because he is very familiar with that tremendous loss, suicide, stuff like that…"
The album, due out for release in March 2009, is a dark conglomeration of musical as well as conceptual layers. "'Crack The Skye' means a number of different things," Dailor offers. "You'd probably get a different answer from the other members of the band as to what the meaning of it is and I can also come up with three different ones. The main one for me would be (that) Skye was my sister’s name and she died when I was 15. She was 14, she killed herself and it changed my life. When we started working on the material, I knew that Brent [MASTODON singer/guitarist Brent Hinds] was coming from a deeper place musically. He was shaken up from his accident in Las Vegas, was traumatized by that and I think that has a lot to do with the sound of the record. He is pretty emotive with the guitar and from that depression he was in came a lot of that material — kind of slow and spaced out, real psychedelic. I could see that there was something a lot deeper going on so it was the perfect opportunity lyrically to dig a little deeper myself into some demons in the past and I'd never really gone there before; you know, it's a touchy subject. But I felt that with the songs being the way they were that it was the perfect opportunity to get rid of some stuff myself… the 'Crack in the Skye' is the moment you realize that that person is gone."
Exclusive excerpts from the interview were originally aired on the November 26, 2008 edition of "Tinitus". The show is now available on podcast at this location.
Clipse Push Pitchfork's Shit In
Hiphop from its genesis was a meritocracy—a bunch of dudes lined up in a sweatbox trying to outshine the next man. Their aim wasn’t MTV rotation or club spins; it was renown around their hoods. While the technology has improved and the production has gotten more sophisticated, we still approach our music with that same purity. We rap about things we’ve done and seen, and we aim to tell the story in a unique and intriguing way. Our critical success and uncommonly loyal fanbase stand as evidence. We don’t count any perceived lack of club visibility as a shortcoming. In fact, it’s a source of pride, that we’ve managed to endure over a decade without pandering, without compromising, without deviating from our signature sound.
It’s very hard to swallow a review wherein the author slams the album for a full paragraph, but then backs off, saying ‘I’m mostly just quibbling here.’ Well, if you’re admitting the criticism is unimportant and misaimed, what then is the intent? The Clipse have smashed the mixtape circuit for years with the untouchable We Got it 4 Cheap series. That’s indisputable. And the Clipse are gonna come with it like nobody’s ever heard with our ’09 official studio release, Till the Casket Drops. As a major label release, it’ll have the energy and polish to merit full-bore scrutiny. We invite Tom Breihan and anyone else to focus that critical gaze on it; we’re certain it’ll shine. And by the way, that snide remark about Play Cloths; unless everyone who’s seen, bought, and fawned over the line is lying to us, we seem to have a fashion staple in the works. We’ll take that kind of unilateral reception any day, with (dis)respect to Breihan’s flawed fashion sense. Stick to music, Tom. Well, maybe not our music.
Sunday, December 14, 2008
Every Time I Die Sign To Epitaph, Epitaph Headquarters Developes Own Gravitational Pull
Friday, December 12, 2008
A Day To Remember, Devil Wears Prada Tour
Bad News For Postal Service Fans
Throwdown Announce "Deathless" As Album Title, Switch Drummers and Record Labels
"Signing with KOCH Records is a breath of fresh air for us," said Throwdown frontman Dave Peters. "KOCH looks at their artists in a progressive way and can see that what we've given a decade of our lives to build is still far from completion. It's no mystery that the music industry is caught in upheaval right now. We're confident in the mutual autonomy of KOCH and Throwdown to come together and not only weather the storm, but thrive in it."
"I am thrilled to add Throwdown to the growing KOCH Metal roster and am looking forward to putting out what is surely one of the most anticipated releases of 2009," says KOCH Records VP of Metal Scott Givens. "The band is poised to claim a major stake in the American metal scene and we are thrilled that they have chosen KOCH to be their partners."
The largest independent record label in the United States, KOCH is home to recent releases from Throwdown's friends and touring mates In Flames and Hatebreed, and has recently signed both Satyricon and High On Fire.
"We look forward to the continued development of our relationship with KOCH and the opportunity to be included with the wealth of talent on their roster," added Throwdown bass player Mark Mitchell.
Throwdown recently completed touring behind their last album, Venom & Tears, which was produced by the band with Mudrock (Avenged Sevenfold, Chimaira). The past two years saw them on the road with Korn (Australia), Killswitch Engage (Canada), Cavalera Conspiracy (U.S.), Machine Head/Arch Enemy (U.S.), headlining the Ernie Ball stage on the Vans Warped Tour, hitting major European festivals like Download UK, and headlining a U.S. tour of their own.
Revolver called Throwdown's last album the band's "most metallic," combining "the hateful groove of Sepultura and Pantera." Outburn elaborated further: "This is a much more expansive, daring record, featuring longer songs and a greater diversity of influences while retaining that core pummeling heaviness the band has built its rep upon."
The band is in the writing stages now for Deathless, which promises to be even more dynamic and pulverizing than the last one. Deathless will be the band's fourth album with Peters as frontman and primary songwriter, its second with Choiniere (who joined the band in 2005) and first with Mitchell. Drummer Jarrod Alexander (ex-Death By Stereo), who performed on the band's breakthrough Haymaker album in 2003, will return to work on Deathless.
"Mark Choiniere and I have been writing material on our own time for months now," Peters explained. "We have a great head start on the writing process. It's always hard to say how the songs will ultimately evolve. You think it's going one way and the slightest idea or change turns it into a whole other animal. The mix of riffs and loose song skeletons we have right now is a lot more eclectic at this phase than it was for any of our other records."
Throwdown has spent the last several years touring relentlessly. Ozzfest (2004), Sounds Of The Underground (2005), Vans Warped Tour (2006 & 2007), Black Dahlia Murder (co-headline), and several other headlining and support tours across the globe including packages with Lamb Of God, Fear Factory, As I Lay Dying and more.
In the coming weeks, the band will announce who will be producing and mixing Deathless."
Throwdown has always and will always be a band for our fans before anyone else.
So it is with great regret that we find ourselves in a situation where we are left with no alternative but to air out years of dirty laundry with Josh Grabelle of Trustkill Records for our fans to read and become as disappointed by as we are.
Several months ago we were forced to send Trustkill Records a “breach of contract” notice (despite the legal fees involved for us with such action) and our “breach of contract” was not cured within the 30 days legally allotted. Trustkill has been in this current breach with Throwdown (it’s not the first time) since March 31, 2008. By his own accounting, Josh currently owes the band tens of thousands of dollars in unpaid royalties for CDs sold. We have not once in the history of our relationship with the label received a royalty payment on time. And now that our three album contract with him is fulfilled, we are not hopeful that will change.
It should be said that our relationship with Josh Grabelle started very positively. We were friends before entering into a business relationship and there was a sense of camaraderie between us and several of the bands on the Trustkill roster. As years passed, however, we saw that not only was Josh driving the label in a direction that none of us could respect, he was developing habits that diminished any trust we once had in him and often left us in a variety of compromising situations.
For example, we were forced to cancel dates on the Vans Warped Tour in 2006 when the necessary and agreed upon tour support to put gas in our van wasn’t delivered on time as promised. Trustkill’s failure to make payments on time during the making of our newest album, Venom & Tears, left us wondering how we would pay our rent and bills. Our producer nearly stopped the recording process after Josh and Rob Dippold at Trustkill repeatedly promised to pay him and repeatedly failed to deliver on time.
Please know that we are not “rock stars” looking to be pampered. In order to do Ozzfest in 2004, we took out a loan from one of our family members and gave up mechanical royalties for six months in exchange for the opportunity — the rest of the money Trustkill has been able to recoup from our artist royalties. It was a wise investment. Ozzfest was great for us, and one we made on our own as you can see. We just want what is owed and what is fair and when it is due according to the terms of our contract.
These stories are the very tip of the iceberg and emblematic of our experience with Trustkill. Josh Grabelle consistently attempted to patronize and dismiss our concerns by calling us the band that ‘was
never happy with anything [I] do’, a tactic we quickly realized was used with several other bands as well. Bands do talk when they see each other and it is a shame that the same camaraderie we felt with a variety of bands from all over the country on his label is now present for very different and undesirable reasons.
We know that our band is not alone. Whether more bands with records on Trustkill choose to make public statements as Hopesfall, Bleeding Through and now our band has done is of course their prerogative.
In spite of our hard and often ill-funded work on the road, in the rehearsal space and in the studio, we were told by Josh that we needed to be willing to sacrifice now and then. There is not a single word
that better represents what we have been forced to do under the Trustkill umbrella these past few years — sacrifice.
We truly feel that if Josh Grabelle would see the bands on Trustkill as actual groups of people with the same needs as him or anyone else versus a simple account or bill to be pushed to the side of the desk in his beautiful suburban home, then we would not be here today writing this unsightly account and maybe even have remained friends with him.
For the sake of new bands signing with Trustkill records, we sincerely hope that Josh can adopt such a perspective and begin to rebuild his label. And we hope that by making this situation public, Josh will be
motivated to get his business in order and set things right with Throwdown and everyone else who has been burned by the increasingly difficult situation.
With love and respect to all of those who support us and touring musicians around the world,
Throwdown
I'm glad Throwdown has moved on, but it sucks that some really good bands have gotten caught in the tank treads because of Josh Grabelle's irresponsibility. A band like BEDlight For BLUEeyes, that put out two great records but got virtually no support from Trustkill as a label has now broken up. Who knows where bands like them or Love Is Red would be had they had more label support. Ohh well.
News Coming tommorow
Thursday, December 11, 2008
Craig Owens Solo Tour
New Thursday Single
Best of 2008 lists
1 | TV on the Radio: Dear Science
2 | Bob Dylan: Tell Tale Signs — The Bootleg
Series Vol. 8
4 | My Morning Jacket: Evil Urges
5 | John Mellencamp: Life, Death, Love
and Freedom
7 | Coldplay: Viva la Vida or
Death and All His Friends
10 | Vampire Weekend: Vampire Weekend
12 | Guns n' Roses: Chinese Democracy
14 | Ryan Adams and the Cardinals: Cardinology
15 | The Black Keys: Attack & Release
16 | Randy Newman: Harps and Angels
17 | B.B. King: One Kind Favor
18 | Lucinda Williams: Little Honey
19 | Erykah Badu: New Amerykah: Part 1
(4th World War)
20 | Kings of Leon: Only by the Night
21 | Kaiser Chiefs: Off With Their Heads
22 | Jackson Browne: Time the Conquerer
23 | Conor Oberst: Conor Oberst
24 | Girl Talk: Feed the Animals
25 | The Magnetic Fields: Distortion
26 | Mudcrutch: Mudcrutch
27 | Brian Wilson: That Lucky Old Sun
28 | The Knux: Remind Me in Three Days...
29 | Bon Iver: For Emma, Forever Ago
30 | Duffy: Rockferry
31 | MGMT: Oracular Spectacular
32 | Jamey Johnson: The Lonesome Song
33 | Ne-Yo: Year of the Gentleman
34 | Stephen Malkmus: Real Emotional Trash
35 | Nick Cave and the Bad Seeds: Dig,
Lazarus, Dig!!!
36 | The Hold Steady: Stay Positive
37 | Nine Inch Nails: The Slip
38 | Ra Ra Riot: The Rhumb Line
40 | Jonas Brothers: A Little Bit Longer
41 | AC/DC: Black Ice
42 | David Byrne and Brian Eno: Everything
That Happens Will Happen Today
43 | Nas: Untitled
44 | The Raconteurs: Consolers of the Lonely
45 | Be Your Own Pet: Get Awkward
46 | The Academy Is...: Fast Times at
Barrington High
47 | Of Montreal: Skeletal Lamping
48 | Raphael Saadiq: The Way I See It
49 | Hot Chip: Made in the Dark
What do you think? Any that they missed? Love it? Hate it? I think Rolling Stone had some good ones, but generally sucked it up pretty hard.
Wednesday, December 10, 2008
Tuesday, December 9, 2008
August Burns Red Carol of the Bells
Monday, December 8, 2008
Dillinger Escape Plan Genius
Another Lamb of God Video
New He Is Legend
If you've never been a He Is Legend fan, don't be put off by the video. Simply go listen to I Am Hollywood and Suck Out The Poison and then wait for the new album like the rest of us.
Darkest Hour Interview
New Fall Out Boy
Saturday, December 6, 2008
About To Explode
Wednesday, December 3, 2008
NEW LAMB OF GOD
From the sound of things, I think we're definately in for something mounstrous in February. Expect better quality rips and maybe a new song or two in the next couple of days.